Sky Force Full Movie

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Director: Abhishek Anil Kapur, Sandeep Kewlani
Writer: Niren Bhatt, Sandeep Kewlani , Amil Keeyan Khan
Release date: January 24, 2025
Language: Hindi

Review: War films are replete with tales of courage, sacrifice, and patriotism, and directors Sandeep Kewlani and Abhishek Anil Kapur’s Sky Force adds an element of intrigue to the blend. The movie takes the viewer to the 1965 Indo-Pak War and the nation’s first aerial engagement against Pakistan. The story revolves around Squadron Leader T.K. ‘Tabby’ Vijaya (Veer Pahariya), whose disregard for protocols leads him on a solo mission into enemy territory during Mission Sky Force. His defiance results in his mysterious disappearance, and Wing Commander K.O. ‘Tiger’ Ahuja (Akshay Kumar) embarks on a relentless 19-year quest to uncover Tabby’s fate.

The film takes off with a formulaic setup featuring air training sequences and light-hearted moments but struggles to engage initially. However, once the action shifts to the skies, the narrative finds its wings. The screenplay by Kewlani, coupled with A. Sreekar Prasad's precise editing, ensures a tight narrative that maintains intrigue and emotional engagement. Cinematographer Santhana Krishnan Ravichandran, along with action directors Craig MacRae and Parvez Shaikh, crafts stunning sequences that keep the audience riveted. Political red tape and bureaucratic frustrations are lightly touched upon, adding realism without dragging the pace. The emotional climax, where the truth about Tabby’s mission is revealed, is both heart-wrenching and satisfying, giving viewers a reason to keep tissues handy. Tanishk Bagchi's musical compositions and Justin Varghese's background score enhance the film's patriotic and sentimental tones, complementing the visual storytelling effectively.

Akshay Kumar delivers a nuanced performance as Wing Commander Ahuja, embodying leadership and emotional depth, particularly in his graceful interactions with bureaucratic challenges. Veer Pahariya make a fine debut in a noteworthy role. He brings charisma and intensity to the character and holds his own. Their on-screen camaraderie is authentic and compelling. Sharad Kelkar as Squadron Leader Ahmed Hussain shines in his brief role. Sara Ali Khan in her brief role as Geeta Vijaya is likeable. Nimrat Kaur as Preeti Ahuja, Manish Chaudhri as Group Captain Lawrence, Soham Mujumdar as Tabby’s rival Debashish Chatterjee, and Varun Badola as Air Chief Marshal Amit, lend able support.

Sky Force stands out for its balanced portrayal of patriotism, avoiding overt sensationalism or antagonism. It pays homage to unsung heroes like Squadron Leader Ajjamada Boppayya Devayya, whose bravery is mirrored in Tabby's character. The film is a fitting tribute, making it a must-watch for those who are drawn to war dramas that blend action with heartfelt storytelling. A few bumps in the narrative aside, it’s a cinematic flight worth boarding.

Amaran 2024 Movie

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Director: Rajkumar Periasamy
Writer: Rajkumar Periasamy
Release Date: October 31, 2024
Language: Tamil

Amaran Movie Review: Amaran is a biographical war drama based on Major Mukund Varadarajan, a member of the 44th Battalion of the Rashtriya Rifles, who was killed in action during an encounter operation in Kashmir’s Shopian district. The film, helmed by Rajkumar Periasamy, chronicles multiple phases of Mukund’s life — starting from when he was a student at Madras Christian College with the aim of being in the military to his subsequent training at the Officers Training Academy to him rising the ranks in the Indian army.

Tamil mainstream movies, especially the ones that feature a massive star as the protagonist, almost always show their heroes coming out unscathed at the end, no matter how much odds are stacked against them. In some way, it can be said that the audience has also been accustomed to watching the protagonist fight against all odds and emerge scatheless.

In Amaran’s case, we already know that the officer on whom the movie is based is no more with us, and throughout the film, even during the comforting moments that Mukund shares with his family and colleagues, there is a bittersweet feeling that we carry with us. But, even if Rajkumar Periasamy wasn't able to completely do justice to Mukund as a family man, he has given justice to the brave soldier that Mukund was and continues to be remembered as. This is evident from the final moments of Mukund shown in the film; rather than going for an overdramatic farewell, the makers chose to handle the moment with dignity.

With that said, it takes a while for Amaran to get things going. Mukund’s story is told through the eyes of his wife, Indhu Rebecca Varghese. We first see them meet when they are in college, and as their love blossoms, they get past the initial opposition raised by both their families to be together. But both the leads are not at all convincing in these portions. It's only when Mukund gets into the Officers Training Academy that the film picks up.

Each of the action setpieces in the film is nail-biting and keeps us on the edge of our seats. Those portions truly manage to elevate the film and help the film fully justify its genre. Similarly, the interactions between the officers also make us care for not just Mukund but also for his colleagues. All the actors who feature as military officers, including Bhuvan Arora and Rahul Bose, are wonderful in their part.

Not just them; all the supporting cast in the film are aptly cast, especially a wonderful Geetha Kailasam, who plays Mukund’s mother, Geetha. Coming to the leads, Sivakarthikeyan is seen in a never-before-seen avatar in the film. The funny part is that, in the film, the actor, who came into prominence for his boy-next-door charm and comic timing, looks most out of sync in the lighter portions set in the college. But he is phenomenal as the film progresses, and after he puts on the military uniform, the actor doesn't miss a beat.

It goes without saying that Sai Pallavi is good at emoting what her character’s feeling; she always is. In the film, she plays a Malayali from Trivandrum, and even her good emoting cannot make up for the bad Malayalam she speaks. As an actor, she isn't miscast for the part, but, considering how much Malayalam she speaks in the film, they could have focused more on perfecting her pronunciation. Even during a tearjerker moment, where Sai gives her all as a performer, her Malayalam pronunciation acts as an obvious distraction.

This also goes to show how much Tamil mainstream cinema doesn't care when it comes to casting its female actors. In a large chunk of commercial films, they cast a Malayali or a North Indian as the female lead who is supposed to be from Tamil Nadu, but when it comes to casting a Malayali who speaks a lot of Malayalam, they cast someone who isn't fluent in the language.

Also, a moment between the army officers name-dropping Thuppakki to Fahadh Faasil should have been a candid moment between Mukund and his team. But rather, it comes across as a name-dropping contest to mention as many popular names as possible to get the cheers in the theatres.

All said and done, there is no denying that Amaran is a worthy tribute to the legacy of Major Mukund Varadarajan. Even with all the glitches in between, the film makes us cherish and celebrate Mukund and the courageous officer he was.

Sikandar Ka Muqaddar 2024

Sikandar Ka Muqaddar 2024 Full Movie

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Director: Neeraj Pandey
Writers: Neeraj Pandey, Vipul K Rawal
Release Date: November 29 2024
Language: Hindi

Review: After a string of successful and taut Bollywood thrillers like A Wednesday, Special 26, and Baby, director Neeraj Pandey has carved a niche for himself with his gripping stories of secret agents and men in uniform. His recent OTT successes, Special Ops and Khakee: The Bihar Chapter, further solidify his mastery of the thriller genre. However, his latest offering, Sikandar Ka Muqaddar, while still watchable, fails to reach the high bar set by his earlier works.

Set against the backdrop of 2009 Mumbai, the film begins with an intriguing heist, where precious red solitaires worth Rs 60 crores are stolen during an exhibition. Officer Jaswinder Singh (Jimmy Shergill) quickly narrows his list of suspects to three suspects—Mangesh Desai (Rajiv Mehta), a veteran employee at the jewellery store; Kamini Singh (Tamannaah Bhatia), his colleague; and Sikandar Sharma (Avinash Tiwary), a computer techie in a hurry to leave the scene after the alarm is triggered. While Jaswinder’s instincts point towards Sikandar, his growing obsession with solving the case sends him on a 15-year-long pursuit that spans multiple cities, including Abu Dhabi. At the heart of the story is the question of whether Sikandar or any one of the other suspects is truly guilty, or if Singh’s relentless pursuit is driven by his need to protect his reputation.

The film starts strong, with a compelling setup that draws the audience into the mystery of the missing diamonds. However, when the narrative jumps ahead 15 years, the pacing slows considerably. The back-and-forth between the past and present becomes sluggish, and as the film shifts focus from the heist itself to the prolonged cat-and-mouse chase between Singh and Sikandar, the intrigue

 gradually fades. Although a few plot twists attempt to keep the tension alive, many are predictable, and by the time the climactic face-off between Singh and Sikandar unfolds, it struggles to hold the suspense it initially promised.

The performances are undeniably strong, with Jimmy Shergill delivering a standout turn as Officer Singh. He brings depth to the character, portraying a man driven by both duty and personal demons, struggling to maintain his reputation while dealing with mounting frustrations. Avinash Tiwary also shines as Sikandar, a man caught in the crossfire of his own choices and a determined cop’s obsession. Tamannaah Bhatia impresses in a non-glamorous role, playing a single mother who becomes inadvertently entangled in the investigation. Despite Tiwary having more screen time, Bhatia’s portrayal arguably provides greater emotional depth. Rajiv Mehta rounds out the cast well as Mangesh Desai, another suspect whose role adds complexity to the mystery.

Visually, the film impresses. Cinematographer Arvind Singh does a great job of capturing the locales, from the vibrant streets of Mumbai to the sleek cityscape of Abu Dhabi and the historical richness of Agra. However, the 143-minute runtime feels unnecessarily stretched, with songs—though well-composed—detracting from the narrative’s momentum.

Despite flashes of brilliance, Sikandar Ka Muqaddar fails to fully capitalize on its potential. The tension wanes as the story progresses, and the twists arrive too late to redeem the sluggish pacing. While the performances and initial premise keep it afloat, the film ultimately lacks the razor-sharp intensity that defines Neeraj Pandey’s best works.

Sikandar Ka Muqaddar is worth a watch for its strong performances and intriguing start, but it’s not the gripping thriller fans of the genre might expect.

Pushpa The Rule Part 2

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Director: Sukumar
Writers: A.R Prabhav, Sukumar, Srikanth Vissa
Release Date: December 5, 2024
Language: Telugu, Hindi

Pushpa 2 Review: Director Sukumar’s brilliance shines through in Pushpa 2: The Rule. He masterfully balances a mass entertainer with a film rich in social commentary, weaving layers of emotion, action, and intrigue into a compelling cinematic experience. Despite the extensive runtime of 3 hours and 20 minutes, the film keeps its audience riveted with a mix of high-octane sequences, character-driven moments, and a poignant emotional arc.

Sukumar doesn’t just focus on the grandeur of action; he incorporates subtle humour through the quirks and mannerisms of the characters, whether it’s Pushpa Raj, Banwar Singh Shekhawat, or the supporting cast. Each character has a distinct identity that enriches the story. Even when the film seems to linger towards the end, the emotional payoff in the climax redeems it, providing satisfying closure to Pushpa’s internal and external conflicts.

Allu Arjun ascends to a new echelon of his career with a transcendent performance. He is firmly in a "god zone," surpassing expectations and cementing his status as a force to reckon with in Indian cinema. The Jathara sequence is a landmark moment in his career, bound to be celebrated for years to come. Every aspect of his performance during this sequence—his physicality, emotional depth, and sheer energy—is awe-inspiring. The choreography, visuals, and editing amplify the impact of his performance, creating a euphoric high for audiences. In Pushpa 2, Allu Arjun proves yet again that he is not just a star but an artiste who redefines the boundaries of performance.

Rashmika Mandanna shines as Srivalli, moving beyond the archetype of a supportive partner. She becomes Pushpa’s emotional anchor, adding layers of resilience and warmth to the narrative. Her chemistry with Pushpa Raj captivates, and their peppy number Peelings is thoroughly entertaining, showcasing their dancing skills.

Fahadh Faasil is chillingly entertaining as Banwar Singh Shekhawat. His understated menace and simmering quest for respect create palpable tension in every scene he inhabits. As a formidable antagonist, he matches Allu Arjun’s intensity with a performance that commands attention.

Rao Ramesh and Jagapathi Babu bring depth to their roles as political leaders, adding intrigue and complexity to the narrative. The supporting cast, including Sunil, Anasuya Bharadwaj, Saurabh Sachdeva, Tarak Ponnappa, Jagadeesh Prathap Bandari, Brahmaji, Ajay, Kalpa Latha, Pavani Karanam, Sritej and Divi Vadthya, ensures the world of Pushpa remains immersive.

The film’s technical excellence is remarkable and a step up from the first instalment. Mirosław Kuba Brożek’s cinematography vividly captures the vibrant chaos of the forest, the intensity of the action, and the emotional nuances of quieter moments. Scene transitions are seamless, and the framing of shots is exquisite. Devi Sri Prasad’s music elevates the narrative, with tracks like Sooseki and Kissiki blending into the storytelling. The background score complements the film’s tone, while the action choreography balances grit and grandeur, offering a visual treat.

Though the film has its flaws—like, a not-so-strong story and over-the-top action sequences—its smart screenplay, brilliant performances, and top-notch production values overshadow these drawbacks.

Pushpa 2: The Rule is a sequel that surpasses its predecessor in scale, storytelling, and emotional depth. Sukumar’s vision, combined with Allu Arjun’s powerhouse performance, layered narrative, breathtaking visuals, and stellar ensemble cast, makes it a cinematic triumph that demands to be experienced on the big screen.

Kanguva 2024

Kanguva Full Movie

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Director: Siva
Writer: Madhan Karky, Adi Narayana, Siva
Release Date: November 14, 2024
Language: Tamil, Hindi

Kanguva Movie Review: The opening sequence of the present-day Suriya is the trailer for the outdated writing of Kanguva. Yogi Babu hypes up Suriya’s Francis, a bounty hunter, as he jumps out of his shower and attacks a few enemies, and there goes our hero introduction. What follows is a template romance song in Goa and a breakup that’s announced just using TEXTS (a different approach to the “show, don’t tell” format?). We are introduced to so many characters within the first five minutes of Kanguva – including those played by prominent actors like Disha Patani, Redin Kingsley, Kovai Sarala, and KS Ravikumar – but disappointingly, we hardly see them for 15 minutes on screen.

The film oscillates between two different timelines: 1070 and 2024. In the present, Francis feels strangely drawn towards a young kid, a mere stranger. He goes to the lengths of risking his own life to save the kid. On the other hand, back in 1070, Suriya’s Kanguva, a mighty tribal prince and warrior, vows to save a kid. While the premise, connecting the two mysteries, is quite intriguing and you look forward to seeing how their bond is depicted, the execution tires you. Just like how too many characters are introduced in the present, you are transported to a different world in 1070, where five different villages with different ethics and ideologies co-exist. Two worlds are built and are overdosed with so many details that add little value to the story. But even if you want to try and understand the world – the five villages, their ethics, their past fights, etc – you are given limited time to grasp it all. Besides the reason that the makers have nestled in too much information, the way it is presented also contributes to the confusion. For instance, if texts are how the characters in the present day are introduced to you (eg: Francis, Bounty Hunter), you are welcomed to the past with a strange narration in Sentamizh, haphazardly explaining the five different villages. Also, the tonal shift as the film jumps from a party in GOA to an upcoming war in an age-old village is jarring.

One of the few interesting aspects of Kanguva is its innovative fight sequences – one involving snakes and scorpions and another of the women in 1070 attacking their enemies. Watching it in 3D also gives you the effect of being part of blood baths and sea waters splashing out of the screen. Props to the acting, you also get a few emotional sequences. But the grand visuals – Vetri Palanisamy captures the bright streets of Goa and the scenic visuals of the past world aesthetically – and impressive fights are all you get in Kanguva, as the story meanders a lot without a central focus.

For instance, after announcing a war, Suriya is temporarily exiled from his village for a few reasons. And immediately, we get a song where Suriya and the little kid are reconnecting. Now, as previously said, the bond between them is central to the whole film. However, their sequences are inserted randomly in the film’s runtime, mostly as montages, so you don’t get the chance to emotionally connect with them. There’s also too much happening around – a war, a foreign invasion, the return of a past feud, a simmering vengeance, all while you are just still trying to wrap your head around the lifestyle of the village people.

There are a few moments that impress us like the fight sequences, the metaphorical moon and birds, the reason behind Kanguva wanting to protect the child and more. There are also glimpses of how Francis could be the reincarnation of Kanguva – even with the sea of differences they share, there are hints that connect them. Like how Kanguva forgives and protects someone who tries to kill him, Francis, too, goes out of his way to save his ex-girlfriend, who minutes ago wanted him dead. Suriya also impresses as Kanguva – the difference he brings to his two characters in terms of body language is quite intriguing. And after a point, it becomes a one-man show, with Suriya solely carrying the entire film on his shoulders.

Interestingly, although there is an overdose of information, you can see how the makers have carefully crafted this past world, which has a personality and culture of its own. For instance, each village has its own dance traditions, punishment plans, etc. Likewise, Kanguva’s village has a ritual of not using weapons while praying before a big war. There is also a focus on the kind of weapons they use – like a double-edged sharp stick. However, all of these are shown in glimpses. Even the villain (Bobby Deol), who rules the enemy village has four sons – but we never get the time to know or understand them. Add to this the sequences set in the present timeline, which are filled with bland jokes and outdated writing – there is so much you wish the makers had avoided. And this is why you wish the film had focused only on one timeline, letting the frames and the characters breathe a little more. Its ambitions go unnoticed in its mess of convoluted and confused writing choices.

Death Whisperer 2023

Death Whisperer 2023 Full Movie

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Director: Taweewat Wantha
Writers: Thammanan Chulaboriruk , Sorarat Jirabovornwisut
Release Date: October 26,2023
Language: Thai

Review: Thai horror has been making waves in recent years, and honestly, Thailand is up there with Japan when it comes to extremely terrifying movies. Death Whisperer is a recently added horror film. Upon searching, it was a hit on Thailand because the story itself was from the viral online thread.It’s not every time that we get a chance to see stories from online threads to become a film. 

Death Whisperer, or Tee Yod, is about an online story named Ghost Fever…  It recently became a novel by the same author, which was later adapted to this highly regarded film. Back to the story, Tee Yod is the story of a Thai-Chinese farmer family living in a remote village in 1972. Their lives take a turn for the worse when their young daughter, Yam, becomes mysteriously sick. As Yam's health declines, the family experiences a series of creepy events. They see a ghostly woman dressed in black, hear strange whispers that sound like "Tee Yod," and feel a dark presence in their home. Of course, as family, they tries everything to save their daughter. Since the Thai culture also believes in superstition, they had to consult both modern doctors and traditional medicine people to help with their daughter’s case.

However, neither modern medicine nor traditional rituals seem to help Yam. The whispers grow louder, the ghostly sightings become more frequent, and the family becomes increasingly desperate. They soon realize they might be facing something far more sinister than a physical illness.

We won’t go into detail because we don’t want to spoil the entire story for you, but this is basically the plot of the story.

Smile (2022)

Smile (2022) Full Movie

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Director: Parker Finn
Writers: Parker Finn
Release Date: September 22, 2022
Language: English, Spanish

REVIEW: Initially appearing as a standard spookfest, at its core, ‘Smile’ offers a disturbingly creepy proposition. Writer & director Parker Finn takes an otherwise comforting facial expression - a smile - and weaponises it effectively. He creates a constantly eerie atmosphere with chilling sound design, interesting camerawork that often keeps you guessing, and some disconcerting visuals likely to leave a mark. While most horror fare tends to abuse the jump scare tactic, Finn sets them up well enough to be often unpredictable.

Built around Dr Rose Cotter’s experience as a psychiatrist dealing with mental illness, the screenplay delves into her psyche, especially her history of family trauma. Everyone around Rose thinks she’s burnt out or reacting to past trauma, except for her and the audience. It’s a tried and tested formula in the genre, but Sosie Bacon is authentic and compelling in the lead role, making Rose Cotter easy to sympathise with. Jessie T. Usher convincingly plays her fiancé Trevor, with Kal Penn going against type as her concerned supervisor Dr Morgan Desai. Some other performances are frightfully freaky as well, but Sosie Bacon carries most of the film.

After its first grisly encounter, the plot loses steam with a pace likely to test some viewers’ patience. The conclusion may also be unsatisfactory and suffers from Hollywood sequelitis, leaving the door open for the grim grin to continue terrorising its unfortunate victims. Rather than further exploring the psychological impact of certain events, Parker Finn resorts to imagery to make the film unnerving. Try as he might, the writer & director cannot escape genre tropes and struggles to keep things fresh and engaging throughout. But as his first full-length feature movie, Finn proves to be a talent to watch out for. His skills, combined with Sosie Bacon’s work, make ‘Smile’ an anxiety-inducing horror watch that should make your skin crawl.