The Mummy Full Movie

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Director: Alex Kurtzman
Writers: David Koepp, Christopher McQuarrie, Dylan Kussman
Release Date: June 9,2017
Language: English

The Mummy Review: Tom Cruise manages to stay fit at the age of 54 because he spends a lot of time running in his action movies. He also endures copious amounts of physical abuse, ranging from getting beaten up to thrown around; all for our viewing pleasure, while he gets a hefty paycheck in return. It's a fair trade for the most part - these are popcorn blockbusters that are mindless fun, and everyone is reasonably entertained. So it's hardly a shocker that Cruise ends up going through his tried and tested 'Mission Impossible' motions in ‘The Mummy’.

Unfortunately, the entertainment value in this franchise-building reboot is thinly spread, leaving you feeling deprived if not cheated. This is a shoddy stab at merging action, mythology, horror and comedy resulting in conflicting tonality. Even the occasionally surprising, massive set pieces with elements flying at you in 3D, are interspersed between two-dimensional characters who exist merely to cater to movie tropes.

Cruise’s protagonist is his version of a lovable rogue, in the same vein as Indiana Jones, making some seriously questionable decisions throughout the movie. Annabelle Wallis wanders around as the damsel-in-distress in need of constant rescuing. Russell Crowe hams it up as a Nick Fury-ish leader with ambiguous motives spewing campy exposition. There’s even the sidekick (Jack Johnson) whose weary sense of humour brings out eye-rolls, amongst even more exposition. If there’s one character your eyes will be glued to, it’s Sophia Boutella. Adequately mesmerising as Ahmanet a.k.a. the mummy, she transitions from a creepy, violent monster to a seductive goddess with ease, but her impact is reduced by the screen time devoted to convincing us of Cruise and Wallis’ love angle, even though that’s devoid of any chemistry.

There’s enough gruesome eye candy, and in-your-face action to enjoy in ‘The Mummy’ if you ignore the plot holes and frustrating characters. But the first entry in Universal Pictures’ monster franchise comes across as a desperate attempt by the studio to capitalise on Hollywood’s current world-building frenzy. The amount of effort taken to construct the inevitable sequels is staggering. Admittedly, there's been some intrigue since we saw the heavily photoshopped picture of Cruise, Boutella and Crowe alongside Johnny Depp and Javier Bardem promising a lot more from the ‘Dark Universe’. But in the absence of quality writing, gripping plots and characters to truly care about, perhaps some monsters are best left buried.

Super/Man: The Christopher Reeve Story

Super/Man: The Christopher Reeve Story Movie 2024

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Director: Ian Bonhote, Peter Ettedgui
Writers: Ian Bonhote, Otto Burnham, Peter Ettedgui
Release Date: November 1, 2024
Language: English

Review: ‘Super/Man: The Christopher Reeve Story’ is a heartfelt documentary that dives deep into the life of the beloved actor who portrayed Superman on-screen and embodied resilience off-screen. Directors Ian Bonhôte and Peter Ettedgui craft a moving narrative that interweaves Reeve’s rise to stardom with his devastating horseback riding accident in 1995, which left him paralysed. The film balances his extraordinary public life and the intimate, personal moments shared by his children, wife Dana Reeve, and close friends.

The documentary’s emotional depth is driven by interviews with Reeve’s family, including his children, Alexandra, Matthew, and Will Reeve, who reflect on the day of the accident and the profound changes it brought to their lives. Gae Exton, Reeve’s former partner and mother of two of his children, also provides rare insights into their relationship. However, Dana Reeve, his wife and steadfast caregiver, emerges as a quiet hero. Her unwavering support and compassion offer a touching reminder of the true power of love and resilience. The inclusion of home videos adds an intimate layer, showcasing the strength of their family bond even through adversity.

While Reeve’s accident was a defining moment, the film doesn’t dwell solely on the tragedy. Instead, it celebrates his journey from being a Hollywood superstar to becoming a fierce advocate for spinal cord injury research and disability rights. The use of Reeve’s own voice, narrating from his audiobook Still Me, adds a deeply personal touch, reminding viewers of his indomitable spirit.

Visually, the film blends archival footage, rare behind-the-scenes clips of Reeve’s Superman, and innovative CGI to symbolise his paralysis through the metaphor of Kryptonite—a clever nod to his most famous role. The animated sequences depicting Reeve as a superhero confronting his own vulnerabilities are a creative highlight.

The documentary also features candid interviews with Reeve’s close friends, including Glenn Close, Susan Sarandon, and Jeff Daniels. Their stories—especially those about his friendships with fellow Juilliard classmates like Robin Williams—reveal a multifaceted Reeve, one who was both humble and deeply ambitious.

Despite the sombre tone, Super/Manis ultimately an uplifting film. It reinforces the idea that heroism isn’t about superhuman powers but about perseverance, empathy, and overcoming life’s greatest challenges. Christopher and Dana Reeve embodied these values, and their legacy continues through their children and the Christopher and Dana Reeve Foundation.

While the documentary may leave some viewers wanting to know more about Reeve’s pre-accident career or more details about his family relationships, it succeeds in portraying the essence of his character. This is a touching tribute to a man who, despite unimaginable hardship, found the strength to inspire others.

Spider-Man: Across The Spider Verse

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Director: Joaquim Dos Santos, Kemp Powers, Justin K Thompson
Writers: Phill Lord, Christopher Miller, Dave Callaham
Release Date: June2 2023
Language: English

Review: ‘Into the Spider-Verse’ (2018) caught everyone off guard with its critical success, raising the stakes with sky-high expectations for a compelling follow-up. Safe to say ‘Across the Spider-verse’ exceeds them all; however, this is a deeper, more mature and complex sequel.

The Morales family dynamic continues to be critical to the story, and Gwen Stacy (voiced by Hailee Steinfeld) plays a more significant role this time. Shameik Moore presents a more mature version of Miles Morales, who is constantly challenged with escalating consequences for his actions. Gwen Stacy’s well-deserved backstory is given much depth through Hailee Steinfeld’s voice work. Still, it makes the opening act a bit of a mixed bag, especially with its pace and initial impact. After a somewhat stretched-out start, the film’s plot gradually takes shape to fire on all slingers, with those character beats paying off in spades.

Amidst a staggering number of Spider-People, both new and old, Spider-Punk (voiced by Daniel Kaluuya) and Pavitr Prabhakar (voiced by Karan Soni) are both memorable. The latter deserves more attention, not just for his desi vibe but because the story calls for it. Oscar Isaac’s militant take on Miguel O’Hara brings a level of darkness not often seen in mainstream animation, while Jason Schwartzman elevates Spot to well above ‘villain of the week’ status with a sneaky subtlety.

The visual aspect of this film is staggering, as the animators and artists continue to bend the limits of the medium. Each Spider-Person has its distinct visual style, extending into the universe they hail from. Embracing the comic-book style even harder this time, there’s an astonishing amount of detail in each frame and character design that sometimes gets overwhelming to absorb, but in the best way possible. Art and animation students will refer to these films for years to come.

‘Across the Spider-Verse’ takes the multiverse concept and pushes it to a place unprecedented with other films of its ilk. It has so much to digest with multiple stories and visual artistry that it’s impossible to assimilate everything in one viewing. Yet, the easter eggs and surprises never come at the cost of the overall plot or by pandering to fans. While setting up an essential third outing, this sequel immerses us in a far deeper and more layered story that promises to be rewarding.

Black Adam (2022)

Black Adam (2022) Full Movie

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Director: Jaume Collect Serra
Writers: Adam Sztkiel, Rory Haines, Sohrab Noshirvani
Release Date: October21, 2022
Language: English

Black Adam review: The flick’s plot is predictable because one has already seen enough superhero movies and then some more. The latest outing in the DC Extended Universe doesn’t have much to offer in that sense. An angry godlike superhero with a dark past, an evil ruler after a magical crystal Eternium that can create a powerful and demonic crown of Sabbac, rebels who want to free their people, and a group of superheroes who take on the mighty Teth-Adam. But, the flawless action sequences and visuals are a saving grace all along the way, from the opening sequence in ancient Kahndaq to the last.

Director Jaume Collet-Serra (House of Wax, Orphan) seems to have focused more on the film’s visual appeal than the plot or a proper backdrop for a movie launching the new Justice Society. 'Black Adam' only gives a cursory introduction and mentions the superpowers of Carter Hall/Hawkman (Aldis Hodge), Kent Nelson or Dr Fate (Pierce Brosnan), Albert Rothstein or Atom Smasher (Noah Centineo), Maxine Hunkel or Cyclone (Quintessa Swindell). Of course, one can anticipate spin-offs and sequels to do that.

Even if one sits on the edge of the seat, the thrill gets exhausting after a point. There are too many tracks to keep track of. When you think the movie is making way for a sequel, perhaps, another subplot begins. The scenes sans these are a bit dull. Rolling Stones’s 'Paint it Black' with slow-motion scenes and explosions while introducing Black Adam and Lorne Balfe’s music are used well.

Dwayne Johnson as Black Adam is the perfect choice to play the brooding dark hero, and Pierce Brosnan as Dr Fate is a delight. Noah Centineo as Smasher lends a bit of comic relief, especially his equation with Hawkman, but his budding friendship with Cyclone doesn’t do much. Sarah Shahi as the professor and rebel leader Adrianna Tomaz is superb. The triumvirate of Sarah, her son Amon (Bodhi Sabongui) and her brother Karim (Mohammed Amer) bring some respite as the humane counterparts to the superheroes.

'Black Adam' is a one-time-watch, especially for Dwayne Johnson and the jaw-dropping visuals and action sequences.

Mission Impossible - Dead Reckoning Part One

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Director: Christopher McQuarrie
Writers: Bruce Geller, Christopher McQuarrie, Erik Jendresen
Release Date: July 12, 2023
Language: English, French, Italian

Review: An AI gone rogue threatens to disrupt the world as we know it, and its key is a hotly sought commodity that Ethan Hunt and the IMF must find. This key is the McGuffin for a prescient plot, but audiences aren’t watching ‘Mission Impossible’ films for their riveting stories. Since ‘Ghost Protocol’ (2011), Tom Cruise has been on his own mission as an actor and entertainer – to outdo himself with audacious stunts in each entry. ‘Dead Reckoning Part One’ is no different, where Cruise rides a bike off a cliff, as heavily promoted in the trailers. Naturally, this may appear to be the film's centrepiece, and while it looks jaw-dropping on a big screen, the action has much more in store across its close to 3-hour run-time. The screenplay’s pacing takes a little beating, but the film is thrilling, especially in its climax.

Once again, Tom Cruise and Christopher McQuarrie’s constant need to challenge their respective boundaries result in some increasingly tense set pieces. Paired with the franchise’s iconic theme, they succeed in pushing you to the edge of your seat. Additionally, the plot raises the stakes for Ethan and his team, including Benji (Simon Pegg), Luther (Ving Rhames) and Ilsa (Rebecca Ferguson). Hayley Atwell shines as Grace and is a charming addition who pairs off brilliantly with Cruise’s Ethan, both dramatically and comedically. In fact, this may be the funniest MI film in the franchise so far.

Of course, the star of the show is Tom Cruise, whose running antics are awe-inspiring despite his increasing age. His commitment to doing most of his stunts allows the fight choreography to breathe, and the film is so much better for it. In this year of adrenaline-driven action films, it has become increasingly hard to distinguish one from the other, but Cruise ensures he stands out from the rest. The fact that this franchise still has enough life left in it after seven films without feeling too exhaustive says a great deal about Cruise and McQuarrie’s passionate dedication to action-based blockbusters.

Percy Jackson And The Olympians (2023)

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 Creators: Rick Riordan, Jonathan   E. Steinberg
 Release Date: December 19, 2023
 Language: English

Movie Review: The film is supposed to be in competition with the Harry Potter series. Let's just say, it offers no competition, even though it's directed by Chris Columbus who directed the initial films in the Potter franchise. And that's primarily because the plot fills you with a sense of deja vu. Based on the first book from Percy Jackson and the Olympians, the five-book young adult series by Rick Riordan, the plot featuring a bunch of demi-god heroes -- kids born out of the coming-together of Greek gods and humans -- fills you with a sense of deja vu. The adventures are similar, the enemies are familiar, the special effects are less effective and the sum total is a film that engages but doesn't shock and awe....So unlike HP!

Percy a dyslexic kid, fathered by Posiedon, the sea God, is forced to attend half-blood camp (deja vu, didn't we say!) when he is falsely accused by Zeus of stealing a lightning bolt. His mother, a bedraggled human, is kidnapped by weird monsters and sent to Hades, the supernatural underworld, where she is held captive until Percy returns the lightning bolt. And if he fails to do so, the gods will be at war which will send the world into apocalyptic mode, unleashing earthquakes, tornadoes and twisters. All he has to help him are his special skills, his dad's voice and his three friends, demi-goddess Annabeth, goat-man Grover and centaur Pierce Brosnan. Of course, not forgetting the flying shoes and the special pen that metamorphoses into a sword.

Amongst all the fantastical characters that inhabit the film, we would specially like to mention Uma Thurman as the serpent-haired Medusa who walks away with most of our applause as the svelte meanie. Absolutely delightful. For the rest, a word of caution. Don't go looking for Pottermania and you could have some fun with Percymania now.

A word about: Performances: Logan Lerman ain't no Daniel Radcliffe just as Brandon T. Jackson isn't Ron and Alexandra Daddario doesn't come close to Hermione.

Dialogue: Cheesy, uninspired.

Screenplay: Chris Columbus and Rick Riordan fail to create magic and wizardry on screen. They are however adequately engaging.

Special effects: Average. Now that's unforgivable in an Avtaar-ed age.

Inspiration: The film is based on the first book in the five-part series by Rick Riordan.

The Hobbit Full Movie(2014)

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Director: Peter Jackson
Writers: Fran Walsh, Philippa Boyens, Peter Jackson
Release Date: December 17, 2014
Language: English

Review: When Bilbo, Thorin and gang watched in feaR as Smaug (Cumberbatch) flew away to torch Lake Town, little did they realize that their leader Thorin was going mad thanks to 'dragon sickness', lust for the castle's gold and the Arkenstone. He now refuses leave the castle or even honour a commitment to help the people of Lake Town who have fled from their homes.

Meanwhile in Lake Town, Bard (Evans) escapes from imprisonment amidst the chaos. The wizard Gandalf (McKellen) is also freed from captivity after a short and sharp battle with several wraiths at Dol Goldur, thanks to the efforts of Galadriel (Blanchett), Elrond (Weaving) and Saruman (Lee). Sauron himself appears and challenges them, but Galadriel summons up all her abilities and drives him away - for now.

Bard, the people of Lake Town, Gandalf and Legolas eventually make their way to the castle where Thorin is. Thranduil (Pace), leader of the Elves, also has a claim in the castle's treasure and will battle the Dwarves for it. They're all in for shock though, when they realise that a vast army of Orcs have gathered to annihilate them. Amidst all of this, the Arkenstone must not fall into the wrong hands.

The battles are indeed mammoth and this is undoubtedly the most deadly of the Hobbit series. The visuals, sense of immersive fantasy, wonder and detailing, are completely on point. Jackson has managed to magnify all the best elements of the previous films and negate almost all of the melodrama to create a well-balanced and precise presentation that never drags its heels.

There's even a snatch of romance - between Fili (O'Gorman) and Tauriel - as well. Everything that fans will expect to see in such a film is in here, times ten. A grandiose end to the three-part saga.